Calagurris Iulia
Calahorra
Friday, October 2, 2009
Malaria Incubation Period Wikipedia
PLANT
AERIAL VIEW
(Clikee images to see larger.)
CALAHORRA AMPHITHEATER "Calagurris Iulia apparently also had an amphitheater, whose plant was still apparent in early nineteenth century (WISEMAN, 1956: 96). At present we do not know their exact location, although several hypotheses have been considered. In the block of houses between street Theatre, Martyrs and the Passage Díaz, several gutters walls that seem to draw an arc that perhaps could be fossilized structure of the amphitheater, or perhaps simply that of a former bullring built in the nineteenth century.
In another attempt to find its original location, Gonzalez Blanco (1998:194-195) relates the semicircular path of Calle San Antón with existence in the place of the original shrine of the Holy Martyrs, since the spaces associated the cult of martyrdom have frequently used relation to the amphitheaters. However
, recent excavations on the site of the ruined Santa Casa have not found any other structures that may be associated with a building of such features (CASTILLO / GARRIDO / Anton, 1999).
LIFE WAS LIKE A ROMAN CITY: Calagurris IULIA
FRIENDS OF THE HISTORY OF CALAHORRA (Eds.)
Thursday, May 7, 2009
Gaviscon Works Immediatly
Physical Laboratory
Physical Laboratory
Conducted by Andrea Schulte and Juan Pablo Delonc.
From August 10 meetings of 3 hours
8
This laboratory is aimed at people with knowledge of dance, acrobatics and physical theater, not exclusive.
propose research movement, the interpreter and space.
The work is based on body building individual and group scores, awareness on the management of their own and others' energy.
recognize trends and to empower themselves so that each artist is in his work its way to the expression. Vacancies
limited
CV
Delonc Juan Pablo
I trained as a designer of Image and Sound at the Panamerican School of Art with a specialization in directing and script.
studied directing actors and implementation with Raúl Perrone, Babenco, Mignogna, Trapero, Anibal Di Salvo, Salvador Melita.
After making several video clips, short documentaries and following the search for training as an artist, entered the Avellaneda School of Photography in which I studied for two years.
In 2000 I began studying film with Daniel Pessah Essay in the Cultural Center R. Red for two years, I worked as his assistant as well. Parallel
did courses of action with Alezzo, Fernandez, Melanie Clown Alfie and workshops with Cristina Martí
in 2002 joining the Air Agora Theatre Company directed by Sebastian Mazza Pirate actor and producer. In 2004 we released at the Casa de la Cultura Agora our earlier work. Late
myself worked on the adaptation of Dante's Divine Comedy to Open Studio in the Barolo Palace.
founded in early 2005, the Group Theatre Gesta, looking for a visual language and body building performance and works (Gesta / child / NiÑoRol / QVoX / libido).
During 2007 and 2008 did a feature with libido physical play which collectively created I work as an actor and producer. During the 2007/2008
worked in the Urban Cultural Area, The Social and Guapachoza as lighting designer and operator.
In 2008 work on Polka as a production assistant on the strips Desperate Housewives (Colombia) and for love of you.
dicto addition since 2006, advise and train actors to harness techniques applied to the scene.
I'm currently rehearsing a new play "Germinal" (My Past Elected) Physical Theatre one-man directed by Leni Mendez.
Info:
http://gestateatro.blogspot.com
http://teatroaereointensivo.blogspot.com
CV
Andrea Schulte graduated from the Vocational School of Circus Arena Theatre
Gerardo Hochman, Savignone, Gershanik, C. Kaspar, M. Cousandier, Starosta. Specialization
Bukovsek Trapeze Martin (Germany), Luciana Alvarez, Gustavo (Mono) Silva. Lala Lafleur, Lorena Diaz M.
Floor Acrobatics Plaul, J. Grafh,, fabric and hoop Luciana Mosca, L. Palo Chinese Mosca, A. Perez (Chile), Contact Improvisation C. Turd, G. Milk. Contemporary dance
B. Angiel, L. Condra, I. Armas, M. Brusco, D. Szeinblum, N. Acrobatics
Poggi combined with Gerardo Hochman, B. Bounardier (Belgium), M. Composition and Choreography
Carela with C. Black, Alfie M, L. Condra
Kenneth and Siglinde Tango (Germany) and various classes in Buenos Aires
integral harnesses aerial theater company and research AGORA person classes with the addition Rancho comprised the school of Butoh Dance Brenda Angiel
in Frankfurt, Germany
Rhythms and R. vocal work Segal and I. Guiñazú. Currently conducts research
fusing dance, acrobatics, flexibility, high impact partener, duo ..
I was in labor for four months Integrative circus Zirkus Calibastra Jugend "Michael Bauer School of Stuttgart (Germany)
Di Marta classes for children with choreography I Lantermo
and entertainment in the children's show "Laughter Land" Magdalena Fleytas
acrobat Actress-air play (harness) "AGORA, another ideal world" Sebastian Pirate represented in the House of Culture of Buenos Aires
I conducted research and interpretation in opening of the festival "Open City" with representation based on Dante's Divine Comedy in the Palacio Barolo
integrates circus-theater company-tango "Tamango" functions in "La Catedral", opera La Colada and Cultural Hub Theater Opening x
Identity (theater ND Ateneo and made performance management and performance the Obelisk)
circus I taught children in "The Village" and the circus school "The Arena" and
height and acrobatics classes in drama school Odiseia Martin White
directed and acted in conjunction with John P Delonc and Hernan Quaroni air theater company GESTA. Works: Gesta Child; NiÑoRol; QVoX
He taught acrobatics and fabric combined physical theater company antagonist (Germany)
acrobatics workshop for children in the JES (Jugend Ensemble Stuttgart, Germany)
air theater classes (technique tumbling in harness and theater) and fabric in the Urban Cultural Centre Member of the company
"Rancho Aparte", actress acrobat dancer in his show "Miracle, hard to explain," directed by Gerardo Hochman
joined the cast of the play "Man Shed" Pichon Baldinu. (Spain, Expo Zaragoza 2008)
Acrobat in the play " Kamuflash "Gerardo Hochman. Currently make up the usthe
PULSE.
Conducted by Andrea Schulte and Juan Pablo Delonc.
From August 10 meetings of 3 hours
8
This laboratory is aimed at people with knowledge of dance, acrobatics and physical theater, not exclusive.
propose research movement, the interpreter and space.
The work is based on body building individual and group scores, awareness on the management of their own and others' energy.
recognize trends and to empower themselves so that each artist is in his work its way to the expression. Vacancies
limited
CV
Delonc Juan Pablo
I trained as a designer of Image and Sound at the Panamerican School of Art with a specialization in directing and script.
studied directing actors and implementation with Raúl Perrone, Babenco, Mignogna, Trapero, Anibal Di Salvo, Salvador Melita.
After making several video clips, short documentaries and following the search for training as an artist, entered the Avellaneda School of Photography in which I studied for two years.
In 2000 I began studying film with Daniel Pessah Essay in the Cultural Center R. Red for two years, I worked as his assistant as well. Parallel
did courses of action with Alezzo, Fernandez, Melanie Clown Alfie and workshops with Cristina Martí
in 2002 joining the Air Agora Theatre Company directed by Sebastian Mazza Pirate actor and producer. In 2004 we released at the Casa de la Cultura Agora our earlier work. Late
myself worked on the adaptation of Dante's Divine Comedy to Open Studio in the Barolo Palace.
founded in early 2005, the Group Theatre Gesta, looking for a visual language and body building performance and works (Gesta / child / NiÑoRol / QVoX / libido).
During 2007 and 2008 did a feature with libido physical play which collectively created I work as an actor and producer. During the 2007/2008
worked in the Urban Cultural Area, The Social and Guapachoza as lighting designer and operator.
In 2008 work on Polka as a production assistant on the strips Desperate Housewives (Colombia) and for love of you.
dicto addition since 2006, advise and train actors to harness techniques applied to the scene.
I'm currently rehearsing a new play "Germinal" (My Past Elected) Physical Theatre one-man directed by Leni Mendez.
Info:
http://gestateatro.blogspot.com
http://teatroaereointensivo.blogspot.com
CV
Andrea Schulte graduated from the Vocational School of Circus Arena Theatre
Gerardo Hochman, Savignone, Gershanik, C. Kaspar, M. Cousandier, Starosta. Specialization
Bukovsek Trapeze Martin (Germany), Luciana Alvarez, Gustavo (Mono) Silva. Lala Lafleur, Lorena Diaz M.
Floor Acrobatics Plaul, J. Grafh,, fabric and hoop Luciana Mosca, L. Palo Chinese Mosca, A. Perez (Chile), Contact Improvisation C. Turd, G. Milk. Contemporary dance
B. Angiel, L. Condra, I. Armas, M. Brusco, D. Szeinblum, N. Acrobatics
Poggi combined with Gerardo Hochman, B. Bounardier (Belgium), M. Composition and Choreography
Carela with C. Black, Alfie M, L. Condra
Kenneth and Siglinde Tango (Germany) and various classes in Buenos Aires
integral harnesses aerial theater company and research AGORA person classes with the addition Rancho comprised the school of Butoh Dance Brenda Angiel
in Frankfurt, Germany
Rhythms and R. vocal work Segal and I. Guiñazú. Currently conducts research
fusing dance, acrobatics, flexibility, high impact partener, duo ..
I was in labor for four months Integrative circus Zirkus Calibastra Jugend "Michael Bauer School of Stuttgart (Germany)
Di Marta classes for children with choreography I Lantermo
and entertainment in the children's show "Laughter Land" Magdalena Fleytas
acrobat Actress-air play (harness) "AGORA, another ideal world" Sebastian Pirate represented in the House of Culture of Buenos Aires
I conducted research and interpretation in opening of the festival "Open City" with representation based on Dante's Divine Comedy in the Palacio Barolo
integrates circus-theater company-tango "Tamango" functions in "La Catedral", opera La Colada and Cultural Hub Theater Opening x
Identity (theater ND Ateneo and made performance management and performance the Obelisk)
circus I taught children in "The Village" and the circus school "The Arena" and
height and acrobatics classes in drama school Odiseia Martin White
directed and acted in conjunction with John P Delonc and Hernan Quaroni air theater company GESTA. Works: Gesta Child; NiÑoRol; QVoX
He taught acrobatics and fabric combined physical theater company antagonist (Germany)
acrobatics workshop for children in the JES (Jugend Ensemble Stuttgart, Germany)
air theater classes (technique tumbling in harness and theater) and fabric in the Urban Cultural Centre Member of the company
"Rancho Aparte", actress acrobat dancer in his show "Miracle, hard to explain," directed by Gerardo Hochman
joined the cast of the play "Man Shed" Pichon Baldinu. (Spain, Expo Zaragoza 2008)
Acrobat in the play " Kamuflash "Gerardo Hochman. Currently make up the usthe
PULSE.
Sunday, February 8, 2009
Royal Caribbean Auditions 2010
Edificios en Hispania
Aerial photographs of some of the buildings built in Roman Hispania illustrating the text of Vitruvius on the quality requirements buildings meet "De architectura, Book I Chapter 3.
(Clikee images to see them in larger size.)
building.
(Del lat. Aedificatĭo,-onis).
1. f. Action and effect of building (to a building).
In turn, the building is divided into two parts: one part is about the provision and construction of walls common in public places, the other part is about the development of private buildings.
DOMUS ITAL - SANTIPONCE
In public buildings there are three possible objectives: protection, worship, and the win-win situation
Protection refers to the structure of walls, towers and gates, with order to reject at any time the enemy attacks.
WALL Lucus Augusti - LUGO
BARCINO WALL - BARCELONA
LEGIO WALL - LION
TARRACO WALL - TARRAGONA
Gerunda WALL - GIRONA
WALL Gigi - GIJON
Worship refers to the location of the temples of the immortal gods and sacred shrines.
TEMPLE OF DIANA OF EMERITA AUGUSTA - MERIDA
CORDUBA TEMPLE - CORDOBA
advantageous situation is the common places available for public use, such as ports, forums, portals, restrooms, theaters , walks and similar constructions, which are arranged in public places, serving the same purpose of use.
BRIDGE AUGUSTA EMERITA - MERIDA
CORDUBA BRIDGE - CORDOBA
AQUAE BRIDGE-OURENSE burning
Puente OF Lucus Augusti - LUGO
aqueduct of Segovia - Segovia
aqueduct of St. Lazarus OF Emerita Augusta - Merida
Milagros aqueduct DE LOS DE Emerita Augusta - Mérida
SEE: Roman theaters in Hispania
Saguntum THEATER - Sagunto
SEE: Roman amphitheatres in Hispania
amphitheater of Tarraco - Tarragona
SEE : ROMAN CIRCUS IN HISPANIA
CIRCUS EMERITA AUGUSTA - MERIDA
These buildings must achieve safety, utility and beauty.
security will be achieved when the foundation is sinking solidly and when a careful choice of materials, without restricting spending.
The utility is achieved by proper arrangement of the parts of a building so as not to cause any obstruction, together with an appropriate distribution - on its own merits-oriented in the most convenient.
will get the beauty when her appearance is nice and neat, cuando una adecuada proporción de sus partes plasme la teoría de la simetría.
-------------------------------------------
VER: ¿Qué es arquitectura según Vitruvio? - Sánchez-Montaña Carlos
Vitruvius: de Architectura
Liber I Caput 3.
I. Partes ipsius architecturae sunt tres, aedificatio, gnomonice, machinatio. aedificatio autem divisa est bipertito, e quibus una est moenium et communium operum in publicis locis conlocatio, altera est privatorum aedificiorum explicatio. publicorum autem distributiones sunt tres, e quibus est una defensionis, altera religionis, tertia opportunitatis. defensionis est murorum turriumque et portarum ratio ad hostium impetus perpetuo repellendos excogitata, religionis deorum inmortalium fanorum aediumque sacrarum conlocatio, opportunitatis communium locorum ad usum publicum dispositio, uti portus fora porticus balineae theatra inambulationes ceteraque quae isdem rationibus in publicis locis designantur. 
Aerial photographs of some of the buildings built in Roman Hispania illustrating the text of Vitruvius on the quality requirements buildings meet "De architectura, Book I Chapter 3.
(Clikee images to see them in larger size.)
building.
(Del lat. Aedificatĭo,-onis).
1. f. Action and effect of building (to a building).
In turn, the building is divided into two parts: one part is about the provision and construction of walls common in public places, the other part is about the development of private buildings.
In public buildings there are three possible objectives: protection, worship, and the win-win situation
Protection refers to the structure of walls, towers and gates, with order to reject at any time the enemy attacks.
Worship refers to the location of the temples of the immortal gods and sacred shrines.
advantageous situation is the common places available for public use, such as ports, forums, portals, restrooms, theaters , walks and similar constructions, which are arranged in public places, serving the same purpose of use.
These buildings must achieve safety, utility and beauty.
security will be achieved when the foundation is sinking solidly and when a careful choice of materials, without restricting spending.
The utility is achieved by proper arrangement of the parts of a building so as not to cause any obstruction, together with an appropriate distribution - on its own merits-oriented in the most convenient.
will get the beauty when her appearance is nice and neat, cuando una adecuada proporción de sus partes plasme la teoría de la simetría.
-------------------------------------------
VER: ¿Qué es arquitectura según Vitruvio? - Sánchez-Montaña Carlos
Vitruvius: de Architectura
Liber I Caput 3.
I. Partes ipsius architecturae sunt tres, aedificatio, gnomonice, machinatio. aedificatio autem divisa est bipertito, e quibus una est moenium et communium operum in publicis locis conlocatio, altera est privatorum aedificiorum explicatio. publicorum autem distributiones sunt tres, e quibus est una defensionis, altera religionis, tertia opportunitatis. defensionis est murorum turriumque et portarum ratio ad hostium impetus perpetuo repellendos excogitata, religionis deorum inmortalium fanorum aediumque sacrarum conlocatio, opportunitatis communium locorum ad usum publicum dispositio, uti portus fora porticus balineae theatra inambulationes ceteraque quae isdem rationibus in publicis locis designantur.
Free Deep Penetration Vid
Nertóbriga Concordia Iulia
Anfiteatro de Nertóbriga Concordia Iulia
Fuente de la hipótesis: www.roman-sites.com
PLANTA
Anfiteatro de Nertóbriga Concordia Iulia
Fuente de la hipótesis: www.roman-sites.com
PLANTA
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