GOOD NIGHT MAMA NOTES FOR THOSE WHO WISH TO DISCUSS REFLECTIVE Beyond the excessive bids for issues that have divided the country in terms of theater well-known problem: ideological polarization, economic crisis, censorship here or there, brazen glow of a cultural management of the upper echelons of ministerial culture, the fact is that here and there, on any media (blogs about individuals theatrical generic Web pages or any unusual gathering before or after a release, but unfortunately there are only activated and not something to convene a permanent dramatist and his peers) should really be an arena extended and less underground where topics such as theatrical aesthetics, relation between producers - artists, new dramatic theme, what choking / suffocation stage activity lack of resources or lack of rigor / conceptual theoretical reflection?, aspects of what is a pop circuit for old ways of doing theater? What is meant as a creative laboratory for energizing the National Theatre since we are in the s. XXI but the canons of the past century XX? What is to be young, because the insurgency of new litters of creators are remote or obvious and only important thing is to keep giving the place the digestive theater, etc.? not encourage an action, a movement, an activity where the consecrated, recognized, looking up, those who feel invisible, who believe that making activity for children to talk to who makes art theater. In short, a consonant space to fit the convergences and dissonances, the views and counter but in a healthy dialectic where the atmosphere is known timely hearing, known plant with its arguments and in response, known to have philosophical and ideological opposites where tolerance and respect give light to the art, technique, aesthetics, mechanisms to promote, circulation and consumption are dissected to revitalize what in the Fund seeks: a national theater united and strengthened. Only one person at this present moment is throwing stones into the well. The director and professor at the UNEARTE, Vicente Albarracín. There is for some people in the theater environment, the voice of the National Theatre totemic or that is best suited for at this time to start playing with the nest if before when I was a more imbued operator did not, nor my opinion is the most learned the most relevant or most powerful in all areas of media (twitter, facebook, badoo, Skip, sonic, Hi5, etc. that make a quiet view of the overnight break their hits on the scoreboard entries to be able to guru of current). And yet, I appeal to me the need to respond to some of your questions and if questions about some issues like wildfire because people will join and those who oppose. But this is something that the real reality of our business is virtually dead. Should not detract from Mr. Albarracín when from their perspective / experience offers from teaching roles - rather than active creator and know that it once was and hope to resume this difficult-frisk practice arguments, views, visual thinking it could if it makes a good cut and a rigorous analysis indicate the body of the iceberg that seems always alert but The unsinkable Titanic sinks hegemonic reasoning do that much damage but do little to fill the breach of the conventions, the bankruptcy of conventions and understood that the theater is this and what not, that art should be this way and secretes other demonstrations, that the practice should be more obedient to the pragmatic than mystical and rigorous guidelines adimentados with passion / imagination / creativity because the rule requires that the box office as I am professional and I owe him still seal the demands of fashion , for a size specific pre successes as well I am successful, my poster art, successful, my product, successful, the room where I stand, crowded and therefore, I am still the north and the chimera and not special and sacred to others out there are under the label of the invisible, the rookies, the "revolutionaries", the pseudo intellectuals that all that does is chew theories but bored with his productions to the viewer that is portrayed at the box office. The new column by Mr. Albarracín (see it on his blog (http://vicentealbarracin.blogspot.com/) addresses the topic of "Visible Theatre, Invisible Theatre" Interesting topic! Open fires stating that: "How many works of theater is in theaters this weekend in Caracas? very difficult to know. Depending on where you'll locate a works, some theaters, actors, and even if you like, you know that there will be other rooms, other works and other actors that you will be completely invisible. "I replied what is to be invisible? or Who do you invisible? To be obvious, given a successful show "x" or "and" which results in some specific cases the consumer after purchasing the ticket at the box office this potential viewer (which most of the time is drawn as a "target" (segment) consumer) that is faithful to you does not mean that he also knows of your success, artistic-conceptual level and aesthetically (if there is, of course!) only covers the standard expectation of the public but not in the interest of other spectators as their need for cultural consumption (reception) is sensitized to address the promotion / advertising, which cost more than the ticket-of this proposal, and he who believes that autoinvisibilizándose is invisible? "The billboard actually exposed in a few cultural centers such as Caracas, Valencia, Maracay, Puerto La Cruz, Maracaibo, Porlamar or Guanare where activity is visible and notorious with its ups and downs in print and broadcast media beyond the banner, the banners and flyers) and less even without that promoting direct foaming of the poster art mobilizes centripetal magnetic force than the force of his incisive media campaign? What is the billboard? Is that promotes from print, radio, television, banners, flyers, web pages within cultural segments of pages on line, or cultural segments of a particular news channel, or simply the tired "Radio Bemba" .... ? The promotion of a performance / theatrical production must be distinguished from paid advertising. The first group involves organization, be proactive, be in tune even with the social networking even more, some marqueting that even with business partner-that I've seen on stage, where a product been announced before, during and after but not debase, prostitute or distort the message, artistic intent or aesthetic concept - concept is given by the director or configured by the actor in his creative act in front of the viewer. True what you say Mr. Albarracín "Depending on where you'll locate some works, some theaters, actors ..." but does anyone here can tell me what today Friday 29.10.2010 billboards and public officials who promote theatrical productions for this viewer if you have a group stage movement, playwrights, directors, actotes, designers, directors and producers who are making their artistic life in the west, in downtown Caracas? What can you choose a job that meets scenic, aesthetic pleasure, are "digestive" if applicable, or gratify the intellectual if, in a brief season of at least three groups are within a ten productions scattered on this that called "Gran Caracas? and what about the proposals outlined in Miranda, Aragua, Valencia is an effort to hand the public in the metropolitan area? When a sample is generated, meeting, festival, either as the culminating last week organized by IIAV (International Exhibition and Puppet Theater of Caracas / La Red de Los invisible) and where people cultured, stretched, tastes and expectations they jumped from the nose or as some critical praise but all fear goes and spits sarcastically "theater of the XXI century"? Wow, hard not to? Depending on where you locate ... If you see a few actors (the media) against those who for various reasons no image into wedges, novels, movies and more. "Easy or difficult to be visible or invisible? The fee to discern is wide as a sheet over whether this is made of a patchwork of fabrics of different thicknesses, qualities, textures, colors and more. The theater is not material to cut. It's art! Difficult for some; complacent for others, for those nasty, offensive to a minority and very, very accommodating, even for a large drug-majority of the public if left trapped by the siren song that makes sailors run aground and sink into this choice when the oasis their expectation is in other seas .... The voiced by actress, producer and manager of the Teatro San Martín is valid - see what he says to Mr. Albarracin, and taking over, "Mary Brown, Artistic Director of Teatro San Martín, says they are accustomed. That has always been so. They have focused on work "Capitol here", capturing the audience with flyers, banners, a Billboard is visited in the theater and the occasional press release that are published when space permits newspaper "these are the mechanisms, actions, action for action, find and keep the potential audience, captive or, first go to a theater. All together, expect the product stage is to your liking, that you forget the box office after its confrontation with the fact of art (theater) and more often without knowing it, may have run into the room, editing, actors, the text, the director, the elements that make theater that's valid - theater and not a call for a Stop Suffering!, a Mercal theater, a small market Persian .... Finally, what is and is not. But sometimes, in the same theater the west, without visible promotion and no advertising, is not necessarily public, but the center of the West and even in some of its strata of this that overcoming transport problems, insecurity, a place to relax and talk, look and see others make fellowship before, during - and even later-stage act that they have been revealed. Promotion / advertising, marketing, marketing, strategy / positioning actions inside and outside the room ... well, the act of making some are lime, others of sand. Taking words borrowed from Michelangelo Santagada researcher at Reception theatrical between aesthetic experience and the ritual action (2004) states that: "The collective setting of the room, the ritual context of the show, the various artistic conditions of conception and development, would suspend or relativize the everyday concerns of the beholder "I forced a turning point and suggest that if the call determines the coordinates of the Mary Brown claim that" it has always been "turning the other would say the title of the article by Mr. Albarracín that" Teatro invisible visible theaters "let us ask ourselves a reflection that Mr. Albarracín?, because I do not see in Trasnocho, Teatrex or Premium Theater in Los Naranjos be as invisible as that would in the case of Anna Julia Rojas Teatrino, the Board Esther Bustamante, the auditorium of the School of Ecuador or what occurs in streets, boulevards, markets or unannounced, at his side but you know you are facing a real expression of street theater. Consolidated theater theater versus peripheral, versus excluded theater theater arts, theater, this theater versus that. Islands in a river mouth of the great produce, circulate and consume. Theatre bottle for desperate thirst for the superfluous, carbonated soda water in theater digestive paid over 150Bsf but has the beautiful image of actors and actresses media. Muscle-flexing but successful theater, theater versus provocative but not attuned to the urge to laugh at a spectator who vomits when you touch their taboos, fears, acorseteadas ways this is what commercial theater and experimental theater. Where the accent? Where did you look? More visible to stay in the establisment of what is accepted with a Vagina Monologue Soliloquy penis or sentimental. Please come to the event viewer friend this afternoon and be judge, executioner, defendant and prisoner of your expectations ....
