In the period May-June had the experience of finding on the boards of both the University Theatre
Central University of Venezuela as Plural Area located in the Cultural Trasnocho
, two groups whose essential features have been marked by the presence of young people in the theatrical stage. For now, just comment on the work stage and direction displayed by the drama of the gifted playwright, Roberto Romero, who serves as head one of the most ancient institutions of university theatrical activities such as the TU
of UCV. Under his stewardship, and in a small room whose capacity does not exceed the thirty people (basement of the auditorium) are allowed to propose a concrete dramatic trimmed
major piece entitled One step from you Alma which took quite seriously from the role of director. Roberto Romero
we had already tracked as an actor at one time under the collective umbrella of Arts I, then, we learned that formal education has continued to graduate at the UCV (if I'm wrong in Comparative Literature) and currently is the head of one of the country's institutional concerning training and university building as it has represented the TU
We also know that as a young continues to prepare, train, displayed, continue to be cultivated in the arduous journey of being an artist integral. In fact, we know that has passed through the Creative Writing Workshop has been issued in Celarg
(having the sort of encounter is likely to experience learned in battle by the writer offered dramatic theater, Xiomara Moreno
). Thus, after these "exercises" that began early in these workshops from 2009 tells us that "I give substance to a literary ambition as a teenager I had, but that until then had been unable to achieve satisfaction: writing drama. " As such, Roberto Romero
persisting been there so tenacious and displaying that special aura that for years have foisted as
"animal theater" (derogatory label but never in my eye if you add those who perceive they have been , are and shall likewise embedded in our national theatrical endeavor) who feel that form and exposure to and from the tables, he won the respect and credibility of the sector. Romero
since I met him was not an impromptu press because he knew with insight and study that have to be on the inside and the outside of this tough job with a certain look. It's smart because he feels that from the trenches of the acting, directing and now, writing is his most effective dramatic build understanding this singular moment in the country both in theatrical management and in directing the ability to go to other younger than he. His work in TU
has been quiet since the particular world that is within the UCV
the TU
and yet, a process that insurance bill will slowly off. It is a demanding field as this area has had a history and was a reference to what has been the story Venezuelan theater. Romero does not compete with this great story (where calan
name as Curiel, Santana
or Schiamana
among others) but that is based on principles more open to young students who come to this spot to to channel their concerns in the field of acting in a manner complementary to formal education. Fertile ground working with him as he understands concerns of young peers can catalyze projects that, without sin of exaggerated, bombastic or arrogant. Thus, we find one of those projects that has curdled to be shown the community ucevista and the viewer to assume that the card is not simply what is offered in some rooms or circuits. With the visual staging of
One step from your soul see a text that explores "
crumbling married life" after he invited a couple "stable" with their love troubles and pressures professional life, first hand feel that something is wrong. At a time when Antonio is stuck in its public sphere with a bank ties that absorbs the time of the sphere of intimacy with his wife. She, Mariela, has been feeling his marital life is full of voids, isolation, dissatisfaction, appeals to the complementary activities and that within the home and bound and in a situation of freedom after having raised two children they already do with their lives, worlds apart, seems to require to the will of the mother Mariela having done what it was expected but Mariela - Wife - Female seeks other things that come to a spouse so engrossed in their work, distracted by short breaks media evasion. Two stocks weakened. Two worlds that are known to orbit in the sentimental / sexual and receives a wear them away. At one point, Mariela decisions to be tested and place the "truth" of his union with Antonio at the crossroads. The result, infidelity almost crystallized in a planned way Isabel's character. This character will try to become aware of their roles to themselves and their roles to the external. The final fracture and no return. Lives split, broken, and yet, not clear in the back. A drama that explores the intricacies that IAEA relations so embedded in the context of a social and cultural world such as Venezuela or Latin America. Drama to be even decant both the inner workings of his characters and the situation that surrounds them but that makes the perception of
Roberto Romero start to move towards the path of being an operator that extends its search for a compromise of hope say things to your reader / viewer. Will see how This author unfolding over time and measure your progress and the requirements to write theater demand. The staging point, simply and without subterfuge. Front and intimate. Talkative and relevant to make the viewer feel that the drama can whip up something to communicate from the work of the plant to the world of theatrical detail of what they say organic? How do you express the gestural or body? Is it real or just made an X-ray action / consequence based non-actors who represent an age match the roles they play? The synthesis of atmosphere was correct and in tune to what the movement was generated of these characters. The most successful role was given Miranda
Lis as his inner world was as established and operating parameters of voice, diction and gestures and proxemics were assertive. The work of Emmanuel
composition Barroeta was external, more often weakened by trying to tie safely without problems from the worlds of his character. Action onstage with insecurity and their actions were to burst. Finally, Oriana
Agüero, much more insecure in corpoexpresivo, denoted that he was unclear in the end / purpose for her portrayal of Elizabeth. Very tense at times, very misplaced in the physics of motion. You can give more if you edit the address details that will help guide the weapon with all histrionic that his fellow travelers in this staging. A job can opt but since you already offer both TU
, the same writer / director of this show as the viewers aware that the UCV
there are alternatives to be provided that the city is boiling, which there are options, there is a dynamic that must be seen and be contextualized. Finally, the TU
is there and if you dear reader may have the opportunity, go and find that the young people of the Venezuelan theater is doing his thing.
Sweet Dreams Rock 
In the period May-June had the experience of finding on the boards of both the University Theatre Central University of Venezuela as Plural Area located in the Cultural Trasnocho , two groups whose essential features have been marked by the presence of young people in the theatrical stage. For now, just comment on the work stage and direction displayed by the drama of the gifted playwright, Roberto Romero, who serves as head one of the most ancient institutions of university theatrical activities such as the TU of UCV. Under his stewardship, and in a small room whose capacity does not exceed the thirty people (basement of the auditorium) are allowed to propose a concrete dramatic trimmed major piece entitled One step from you Alma which took quite seriously from the role of director. Roberto Romero we had already tracked as an actor at one time under the collective umbrella of Arts I, then, we learned that formal education has continued to graduate at the UCV (if I'm wrong in Comparative Literature) and currently is the head of one of the country's institutional concerning training and university building as it has represented the TU We also know that as a young continues to prepare, train, displayed, continue to be cultivated in the arduous journey of being an artist integral. In fact, we know that has passed through the Creative Writing Workshop has been issued in Celarg (having the sort of encounter is likely to experience learned in battle by the writer offered dramatic theater, Xiomara Moreno ). Thus, after these "exercises" that began early in these workshops from 2009 tells us that "I give substance to a literary ambition as a teenager I had, but that until then had been unable to achieve satisfaction: writing drama. " As such, Roberto Romero persisting been there so tenacious and displaying that special aura that for years have foisted as "animal theater" (derogatory label but never in my eye if you add those who perceive they have been , are and shall likewise embedded in our national theatrical endeavor) who feel that form and exposure to and from the tables, he won the respect and credibility of the sector. Romero since I met him was not an impromptu press because he knew with insight and study that have to be on the inside and the outside of this tough job with a certain look. It's smart because he feels that from the trenches of the acting, directing and now, writing is his most effective dramatic build understanding this singular moment in the country both in theatrical management and in directing the ability to go to other younger than he. His work in TU has been quiet since the particular world that is within the UCV the TU and yet, a process that insurance bill will slowly off. It is a demanding field as this area has had a history and was a reference to what has been the story Venezuelan theater. Romero does not compete with this great story (where calan name as Curiel, Santana or Schiamana among others) but that is based on principles more open to young students who come to this spot to to channel their concerns in the field of acting in a manner complementary to formal education. Fertile ground working with him as he understands concerns of young peers can catalyze projects that, without sin of exaggerated, bombastic or arrogant. Thus, we find one of those projects that has curdled to be shown the community ucevista and the viewer to assume that the card is not simply what is offered in some rooms or circuits. With the visual staging of One step from your soul see a text that explores " crumbling married life" after he invited a couple "stable" with their love troubles and pressures professional life, first hand feel that something is wrong. At a time when Antonio is stuck in its public sphere with a bank ties that absorbs the time of the sphere of intimacy with his wife. She, Mariela, has been feeling his marital life is full of voids, isolation, dissatisfaction, appeals to the complementary activities and that within the home and bound and in a situation of freedom after having raised two children they already do with their lives, worlds apart, seems to require to the will of the mother Mariela having done what it was expected but Mariela - Wife - Female seeks other things that come to a spouse so engrossed in their work, distracted by short breaks media evasion. Two stocks weakened. Two worlds that are known to orbit in the sentimental / sexual and receives a wear them away. At one point, Mariela decisions to be tested and place the "truth" of his union with Antonio at the crossroads. The result, infidelity almost crystallized in a planned way Isabel's character. This character will try to become aware of their roles to themselves and their roles to the external. The final fracture and no return. Lives split, broken, and yet, not clear in the back. A drama that explores the intricacies that IAEA relations so embedded in the context of a social and cultural world such as Venezuela or Latin America. Drama to be even decant both the inner workings of his characters and the situation that surrounds them but that makes the perception of Roberto Romero start to move towards the path of being an operator that extends its search for a compromise of hope say things to your reader / viewer. Will see how This author unfolding over time and measure your progress and the requirements to write theater demand. The staging point, simply and without subterfuge. Front and intimate. Talkative and relevant to make the viewer feel that the drama can whip up something to communicate from the work of the plant to the world of theatrical detail of what they say organic? How do you express the gestural or body? Is it real or just made an X-ray action / consequence based non-actors who represent an age match the roles they play? The synthesis of atmosphere was correct and in tune to what the movement was generated of these characters. The most successful role was given Miranda Lis as his inner world was as established and operating parameters of voice, diction and gestures and proxemics were assertive. The work of Emmanuel composition Barroeta was external, more often weakened by trying to tie safely without problems from the worlds of his character. Action onstage with insecurity and their actions were to burst. Finally, Oriana Agüero, much more insecure in corpoexpresivo, denoted that he was unclear in the end / purpose for her portrayal of Elizabeth. Very tense at times, very misplaced in the physics of motion. You can give more if you edit the address details that will help guide the weapon with all histrionic that his fellow travelers in this staging. A job can opt but since you already offer both TU , the same writer / director of this show as the viewers aware that the UCV there are alternatives to be provided that the city is boiling, which there are options, there is a dynamic that must be seen and be contextualized. Finally, the TU is there and if you dear reader may have the opportunity, go and find that the young people of the Venezuelan theater is doing his thing. 
Microkosmos you 
Rosario Blefari 
