Wednesday, September 15, 2010

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Bulgakov

After a much needed break, it takes reflection and task analysis stage found in the Caracas theater marquees. With a absence written about a month and a half, I continued to attend to what is offered as a staging proposals aimed at different segments of consumers - and, boy, what I have seen says almost with a unique tone that has been exposed and is still in the canopies of the various circuits and commercial theaters or not is quite heavy, even reassures me the feeling of power yes to any dramatist who holds an undeclared Festival! - and this is synonymous with or without subsidies, with high and low artistic quality of art or theater or simply "commercial", the supply / demand leads to more of a viewer feel a little overwhelmed when choosing to do every weekend is week. For my part, I'll post comments from it because as several playwrights confronted, criticism must assume its role and assume the memory, analysis and reflection on the processes of production, circulation and consumption, from the theatrical act is experienced in a city \u200b\u200blike ours. Thus, both this paper and the subsequent look out of ink seen spectacular armed with proposals offered by both novice and consolidated groups. Thus, entering two nice comment on jobs offered in the cozy living room while the dynamics Laboratory Theatre "Anna Julia Rojas" located in Mexico Avenue next to the Hotel Alba Caracas and close to an entrance of the Metro Bellas Artes de Caracas. A training area, a place open to bands, artists and creators who are looking not only to test or meet a great time program open through those outstretched arms of a royal woman of the theater as represented Carmen (La Negra) Jiménez who from the disappearance of teacher Horacio Peterson (founder of that institution) has created what at one time was described as off off Ateneo. An action and a commitment to dignity, risks, little government support and a sense of commitment, allows emerging theater, the theater professional theater novel, drama which aims to find niche broadcasting is well Walker proposed step or one spectator stage languages \u200b\u200bbilled looking young people are right there on hand to see and feel in their hearts that not all theater (art / commercial) will be found in rooms / channels established in this bustling megalopolis. From July to the time I write this review / criticism have gone through the lab tables that attracted groups with their peculiar way of being produced and being resolved scenic, mount that could well be said that it is part of the theater "hegemonic" norms within the formal rooms and exposed groups and artists and possess relevant experience ments come have left their mark on those who were lucky enough to see them. On the one hand, I must refer to the group Only 2 Tosen from Aragua State, and specifically of La Victoria. Under the style of storytelling and theater with a full sense of rhythm, musicality, an acute angle as sharp focus on the socio-political problems of the country and looks sharp on globalization tone situations where both human and sociological issues on the horizon the intimate psychological and at the edges of the behaviors of being in front of his becoming or existential angst, stinging articulated with wisdom, creativity and undeniable talent, as you can "build a new social paradigm." Only 2 Tosen , I can qualify as a rarity among the groups that make artistic life in the regions. Exposed to a small group of spectators who followed them were surprised and pleased from beginning to end (one hour and ten minutes) the Café Concert show entitled irreverent. An assembly structured songs such as "protest" but inspired by what a tough life sometimes we cry or the same national or global reality we spit but that sometimes is subsumed by a whole layer or media myths informative news that big companies make us understand how expression of action - a social reaction to several factors whether they are war, consumerism, sexual behaviors, situations sojuzgarmiento the powerful (companies or individuals) against the weak (the mass alienated or citizen who is simply trying to survive the predatory injustice in these concrete jungles, concrete, and glass rods. The irreverent itself is a solid set consisting of songs / stories full of furious jocularity, corrosive humor which the audience could laugh or not but that could distinguish in the background that no there anything said / presented was to laugh heartily but to reflectively chewed why is pretty hard to laugh at the tragedy of others more if in a segment touches the tragedy of the Haitian people suffered the terrible design of earthquake that shook a few months ago and also brought all this ominous social history, economic and political that we know who has become one of the poorest countries in the world could be generated to the public something to rejoice? or who is to laugh listening and viewing (graphics) on a story / song in which existential plot reveals dozens of Iraqi children have been killed, mutilated or irreparable losses under inhuman bombing of arms occupying powers? In any case, if there were moments / situations where the current letter of protest was relieved and seasoned with a less dense to the receiver. This allowed the relaxation and the possibility that the reflection and with the pleasant but biting humor that the force of the power of the signifier, the subjective scope and understood the dual situation of how it looks something but as it really was work product Kervin Ojeda (composer, musician, teacher, storyteller and musical director) and Christian Fernandez (theater instructor, actor, stage director and producer) who since 2004 have opted for this alternative gestate beyond the title of this show which I was able to attend are really irreverent, are a outsider in what we are usually accustomed to see and enjoy. As a climax just say that in this country managers should be more spaces or cultural institutions that sees him and understand that the public would give the stroke of good note with those who seek that kind of proposals do you create that much desired and reflective catharsis strain of humor that, in these "days of rage" are well needed. A loud applause for them! A broader

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