the theaters for the period October / November has been exhibiting strong momentum. The halls and theaters in most schools and public and private cultural institutions and academic spaces (Group Corp., Celarg, UNEARTE, Teatro Alberto de Paz and Mateos, Teresa Carreño, Rajatabla, Teatro San Martín, Luis Peraza, Trasnocho, Teatrex, just to indicate a certain segment) states as I've already been saying in other supplies and theater performers and students commented: "We are in a undeclared Scenic Festival!". Yes, the volume of mountings, proposals, premieres, revivals and even exhibitions and festivals requires more than one viewer to change the provisions established for an alternative to what he has heard a recommendation or viewed as a season, do not miss this or that show. And what that if there is something for everyone and targets! Highlight something that quickly is that the Platform for the Performing Arts, Music and Cultural Diversity (read old IAEM) is offering between 04 to 14 November in National Stage Plan 2010 a International / National and theater where dance, the training (workshops and seminars) and the meeting of analysis / discussion (forum and discussion groups) with groups and national and foreign artists looking to put a positive fill the conspicuous absence of the beloved International Theatre Festival. Constructively say that there are excellent mounts and alternatives to be of great interest to both the creators of the courtyard to a viewer no longer has a case to contrast as discussed artistic practice in other places were produced, circulated and consumed differently to the models established here. It's always healthy to have such experiences in this city for the pupils to dilate and one as a viewer to compare and here is what is produced and how is what is seen abroad. Diversify into what is believed is unambiguous plurality. As an incentive to give incentives to promote alternatives when one perceives that he has seen everything or that everything seems to say quietly that as usual, and combine the dissimilar is to create spaces for the multidimensional sense that art is always dilated and not biased to the navel about us. A boost to this kind of project which is only expected to be more consistent and less jerky, that action may also be the project of a coveted Festival but where everyone has the opportunity to join efforts to portray the situation What is aesthetic art the present moment "What kind of deprivation suffered and what kind of strengths flaunt?, and especially why not have a National Theatre Festival bi-annually to all add the talent, creativity, experimentation, new roads artistic talent insurgency, the cabinet not the eventual production of this or that but the ability discuss and draw closer and more active as a guild that strives in the arduous task of building this demanding job of making home from the trenches of theater or dance? Moving on to what responsibility this release, on Friday, 06 November was "lifted the curtain" Release Part Goodnight Mom the American author Marsha Norman (Kentucky, 1947) by the group HEBU Theatre Space in Plural of Trasnocho Cultural headed by Juan José Martín with a massive crowd that, at various levels of what was their experience of receiving or were attentive, concentrated, played or simply peering expected, but also a strong outcome. An elusive subject for the viewer but not a taboo perhaps a touch more acid by way of being counter to known theatrically tragic accounts of life sometimes gets magnified as truly explosive charge at the scene. Good night Mama dodging places a plot nothing to be apprehended: a relationship is worn for an average family in the U.S. but where late metastasis of solitary confinement. One day Thelma, a widow and a life of conformist and burdened by family conventions to be resolved and in the twilight of its existence entire mouth his daughter Jessie (a single forties, touched by an inherited disease that has been his life horizon (epilepsy) decides to order the entire universe of stability of the home and close his gray life, committing suicide. This act is not surprising but premeditated the mother of a little know why that decision, "but at the same time the daughter will know the hidden threads of a fabric close to your family has denied knowing that the fabric has been backing the decision irrevocable. Drama and tragedy of everyday life. Annihilation of the assumptions and oversights to purposes within the context of the affected dislocated but that appears to run on ordinary absurdity of the things expected of human drama: the life and death. Both full of euphemisms, deviations, departures, sarcasm and irony but overall the two sides of a coin when it comes to understand that once the coin is tossed into the air, and some random chance which will ultimately tell the option left to the player. Here players / actants (the characters) and who are part of the observation / expectation (the public) will see how it solves the puzzle of the inevitable. Yes, a drama that can move and be both sarcastic and biting black humor but how life sometimes does not expose those edges? Thelma and Jessie are just the tip of the iceberg dramas comparable to Anglo-Saxon counterparts in many societies and Why it not, to Latinas. What ultimately matters is that it is a story that touches and speaks for itself to reason and understanding who is represented y. therefore be accompanied by several hours the viewer (alone or in company of a couple who took to see any night of the season will last until December 12) when it emerges from the room and go home to see if your personal drama with the atmosphere of family privacy is not at the bottom of a loft, in a forgotten box of shoes or on a shelf well protected steel cold eject the least desired: the closure of the hypocrisy or the excuse of silence never spoke. This Award winning piece Pulitzer in 1983 and intends to assume a director staging hyper quasi order on what is the view of a middle class family home, makes it corrosive to the plot woodworm what we take for granted like the tranquility of feelings among members of a group of people. This "overwhelming taste of suicidal desire" is a shutter button that creates other subplots that only the receiver must assemble a puzzle mode is in a quiet personal or until an accomplice if there is anything of substance between two beings who are going to see a piece of this magnitude and at the conclusion of representation not only applaud or agree that generated artistic aesthetic pleasure offered work but in their environment rather than leaving things to avoid but to find things in the theater, know that beyond the shock, fascination, the charm of this solvent representation is not portrayed in ways vein equivalent. So the theater is more than a little tract. So the theater is more than something cathartic. Theater will be a touch old wounds and makes you bleed / new injuries and if the theater to the naked eyes, the theater can provide the necessary balm for, at least, they talk / think about small - big issues that bind and unleash upon the private sphere of each. Today's society is still timid and prudish in the comparison of these spines of the soul and touches of irony if the doors for there to give the bang for further given the lack of communication. Goodnight Mom is a good excuse to light avoidance zones and open the curtains of the "hackneyed conventions" that touches on many. The staging, the work of mounting global leadership, the perception that the hand of Juan José Martín as a young director of the Caracas scene with incisive digs what should be the response of the subject, the shape of the plot and discourse response to the histrionics of the pair acting too assertively combination of two outstanding performers of national boards such as Diana Volpe (Thelma) and Dag Dáger (Jessie) knew combined into something closed, dense and credible speaks of him as puestista. Know that there is an excess of form or substance it was blatant but the scenic drive was assembled in response communicating synthesis is the achievement of a director with a clear horizon of what should be done. Capture and densify an ethereal atmosphere of drama but with the passing of the pace of actions and that after each unit was densifying situation without falling precipitously in the corny and trite melodrama, it was plausible that it recovers tone of this creative effort Juan José Martín . It was accompanied by a professionally posed stage setting jealous zeal of detail necessary realism that speaks leveled the work of Oscar Solomon . The concept of enlightenment (the director himself) that might be perceived it to be more marked in some scenes where the energy charge where clashes mother - daughter left exposed the past that is revealed layer upon layer of truth must have had more character and thereby monitor the stark and cruel game of truths envestían knew the decision to come. Union Cement production given by Mary Gabriel Diaz compact a team with professional seal where the hand of Diana Volpe own branded his initials for the work of seal HEBU Theatre Group The joint response of the actresses was clear: there was empathy as to how to spin a relationship in the emotional background and assumptions of the everyday lives of these women who must live under a roof, this means that the physical actions of everyday objects is well in the living room or kitchen or suggested in the outer space of each was fixed and defined. The fort was individually because we apprehend a Diana Volpe hyperkinetic is using / use of objects, which says the manipulation of the body and the things on the scene, which makes the drama of emotion a catapult to implode or exploit feelings that have a wide range depending on the challenge of building this or that character, but her demanding she knows technique and experience to place each survey and a character set (for the elderly, widowed, with domestic anxieties that harass) very growing role after role and which gives not only the person who sees artistic pleasure to compose their interpretative challenges but are blown independent personality. Thus, the dimension that gave its role in this work (which just collate the inaugural function) allows me to say that I noticed with some ups and downs with the letter but nothing unusual that would affect the internal diagram he had of his paper, this diagram stop If so and will be something much more organic that will densify to reach the forcefulness with each function-many viewers will notice is the product of a solid actress, perfectionist, doomed to the challenge of unbreakable records give and give voice to do that and we have admired, is an actress! Dag Dáger is an actress and nerve fiber to place a character difficult as Jessie in this drama Marsha Norman. He knew his place each record in the measured voice of intent that emerged from his decision. The expression was strongly attenuated but the motion was attached to the verbal discourse and physical revealed throughout the performance. His eyes were tight and defined their intention assumed. It was handling its own space as well as sequences of interaction with his mother. The past that had eluded him (read his paper) was paired with the innards of the microcosm of sites is well known that solar / satellite everyday. Thus narrowed into an ability to know that is a piece of two actresses and a pair he combined with oiled Volpe. Both, therefore, to this reading of the release were truly worthy and do not be surprised that I grow more and more when they are dislocated from the early days to present their artwork in the plural of Trasnocho Cultural .
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