Does Aspirin Make You Retain Water

IX INTERNATIONAL EXHIBITION THEATRE PUPPETS IN THE COMMUNITIES OF CARACAS

organizers called it: The theatrical festival of invisible. But this is not because groups, companies and artists (local, foreign, community, emerging, independent or who have checked in to stage in various disciplines ranging from children's theater to puppet parade to the theater or community room for activities where clown or minstrel in unconventional spaces) capture the eyes and interest of an audience, usually does not have a varied showcase of entertainment on a permanent basis but, this event has taken responsibility for a social return on your to do to reach places where most of the groups that are assumed to be professional Consolidated receiving the gift or grant only considered because it is part of a letter of engagement agreement (the consideration) to subscribe to receive the coveted cultural contribution. Responsibility and sense of commitment who can not (for socioeconomic reasons) go to the circuits of cultural consumption (halls, theaters and festivals) in which spaces are portrayed much of that segment producer / consumer watching the street, square the park, the boulevard, nursing homes, hospitals and, in particular, places where people - people are trapped in the relentless routine of living, to seek improvements in quality of life (education, health, transport, security, services, etc.) perceive art and culture, relaxation and fun for your children and the elderly, the family should be left aside. First the stomach after morality seems to me to say a sentence Brechtian, but also culture to extrapolate because the need for survival because it is the light of spirit and peace of mind if there is communion with the joy and life. A festival which by its nature seeks to be no icing cake, but an attachment for the citizens know that this is also quality for your environment and thus for his life as a citizen, is a labor of land. Research Institute of the Arts Development in Venezuela (IIAV) under the gaze tenacious and impenetrable as a spirit that exposes the maestro Alberto Ravara leading a young team but worker, has pledged that the theater must dignify the above signed. Be no easy task when every year, dealing with public bodies and enterprises of municipal institutions, Government Ministries and simply ask only one thing: support. And it's not just something that translates into Bs but on adding strong effort in many ways to make the event as it expresses more than a circumstantial case where groups, developers and artists are next to the dispossessed and the most disadvantaged social class but the striker is cultural action for the revolution sensitivity and the transformation of a society that sees consumerism and evasion situation works that little change their environment to create atmospheres of knowing that community / culture / education are ways of enhancing the mood as the clouds of the problems of everyday dissipate the family to see a group of artists get that smile forgotten the child turns his gaze not toy guns but it looks like the creativity and fancy gadgets can be overcome discouragement and hope, and paid the old man in the autumn of his life again I can feel the lightness of those years and gone but returning after knowing playful part of an audience like no age but if that ability delicious light with laughter and a comfort that few or rarely accompanies him. IIAV with nearly a decade has enjoyed support and most of the time, that feeling that their efforts should be adding more and more energy due to unfulfilled promises and delays waiting for sponsors who are just looking for political mileage and make them appear not look beyond their noses. Just a management opportunity when he sees that the city seems to give back in an indirect way that urgent financial support, logistical or coupon to an entity organized as represented IIAV. "Myopia or utilitarianism? "Bureaucracy or disdain? "Entrenched cultural pretensions manage to become apathetic to wait or knowing who has the power and hope from the threshold that makes boldly that those seeking institutional support have to go, talk, explain, and go again, expect and insist that a promise is realized in concrete set for an event that everyone will benefit? Whatever the answer only the managers and directors of these institutions (above) know, the fact is that eventually people will know who every year is where they do not contribute one iota to create something tangible or something permanent in the form of a project, a cultural policy, or a verifiable cultural programming. IIAV not believe in bureaucracy or delay in the country believed possible in Venezuela who knows that the "Revolution" is not about money and promises of strong action but, tenacious and permanent. Be it the Ministry of Popular Power for Culture, Fundarte, the Metropolitan Alcandía and even private companies (with emphasis) that should make flag to support initiatives like the cycle to cycle Alberto Ravara with this show in the communities of Caracas and has taken that label of "invisible" add the lime and sand to build an action, an achievement, a reality that no matter what is there for anyone who wants to see, enjoy it and combine it with what apparently are the years of demagoguery institutional culture of these entities should ensure that art and culture in the Greater Caracas area and why not?, of the country. ARE THE INVISIBLE VISIBLE In a lively, festive and crowded the backdrop of the IX International Exhibition Puppet Theatre in Caracas Communities raised his flag and call joy since last October 8 and will continue on multiple places until next 24th of this 2010. His appetizer was in Central Park in an open space where groups attended The Banana frog (Nueva Esparta) with the simplicity of argument but transmuted into the filigree technique piece The Guard soldier from Raúl Gustavo Aguirre and Damian interpretation Antíguez . Children followed the proposal of IIAV entitled The original rag doll Alberto Ravara and address of Armando Volcanes . Then, the proposal Manuela Sáenz: memory and presence text Ravara and the creative strength in the composition of characters and frame a segment of the life of "The Liberator of the Liberator" with interpretations of Ana González, Lilybell Trejo, Jhorman Jiménez, Carlos Sanchez and Frank Wiese . Theatre with a touch of history and memory for the public to know that the exploits and heroism is part of everyday life in our homeland. Successively had excellent Cuban artist clown (in the province of Cienfuegos and more than 30 years in battle plays) Yoel Ramón Pérez Ruiz who on behalf of the group to Puppet Theater Cien Fuegos, delighted with his stage work Chapline , lucid, polished technique, fluency and synthesis with its touches of magic captured a unanimous applause from young and old. His presence within Mission Culture exposed as the quality has ways and means to make art of simplicity take all your imagination and the universal power of immortal Chaplin still permeate our eyes and senses. The group exhibition of dolls Theatre Barinas (Barinas Edo / Venezuela) with his show of puppets, rod puppets quickly won laughter and empathy for all. Working with his treble to laugh and tones with hints for even the toughest public but could not catch up with the kids thanks to the rhythm, tone and festive chisposo that overlapped in a playful moment we know that the experience of the dramatist Quin tero Lewis made broke the puzzle so exultant that first meeting of this show that begins to rise as foam and done well but clearly visible in the heart of those involved and who are their recipients. Assume