The scene seems to hide sometimes theatrical effort manifests a handful determination groups whose particular trace, at least three essential aspects: one, are groups with short life within the National Scenic task (between three and ten years of existence in the professional segment), two, exhibiting a percentage of directors, designers , producers, actors and actresses whose resonance Creek not yet recognized in the field of stage even when they are training (in group settings such as TNJV , Theatre School "César Rengifo ", the late indet. University-now National Experimental Arts (UNEARTE) , workshops are held at the TNT Rajatabla Group or graduates of the School of Theatre "Juana Sujo" or Laboratory Theatre "Anna Julia Rojas" , just to mention one of the many areas where they perceive they can acquire skills and skills for direct practice with the artistic ) and, thirdly, because nuclei were clustered as theatrical creation, try to find a niche for the equation, production, circulation and consumption makes them credible groups both for managers / managers of theaters and halls of this city, bet by ceding a few days for their shows have to sum from two to three weeks (if the success he gilds the horizon with the assistance of the public) display. Something unique to these groups that some call-ups, other novels and some semi is that both print and audiovisual media provide support in their sections on arts and entertainment. His tenacity does make efforts to manage financial resources in a sector that management may feel convinced him that time in their rooms, there is the fact that there are few times you get another umbrella group of grant or funding Address part of Culture, IAEM, culture cabinets Ministry of Popular Power for Culture or private. So we see that the ingenuity and proactivity of multiplies in some members group, it is not unusual to detect the young actor or director who sometimes serves as producer, the designer is a filmmaker, even, surprisingly, to a triad of functions should make the young dramatist as a director, producer, and if things get tough , then act. Flyers, lobbyists here and there, are looking for ideas to renew and rise up with a different patina to what they feel they must be renewed, changed or moved. Many of these groups remain silenced by indifference from critics and most often ignored by cultural journalists specialized in the field of theater. The youth groups are something rarely considered as serious as being in a consolidation phase, prestige, fame, recognition will come to a trickle. One reason or another affect or premium to the general public to consider not risk losing money in the modest box office to collect these artistic endeavors. But if we stopped next to these and other opinions and finding us to acercásemos Who are they? What proposals offered as performing? What take creative risks? Who is behind as support to make them afloat?, And what kind of artistic training, aesthetic and conceptual management exposed?, Perhaps we would begin to think that the youth theater, the theater charged by a generation of relay has the same spirit (Passion) and the same wood (toughness) which now groups already established / dedicated holders. The public and critics should not assume a castrating their mistakes, but support, guidance, monitoring and observation of their efforts. They are the future of a theater which is always tends to qualify that this decadent, empty, absent, divorced risk perpetuating hackneyed style, irreverent to try to gain attention, weak in terms of rigor, technical and theoretical ideas and concept to sustain a scenic speech convincing. In short, you do not hear of consolidated and established the group that begins, that no brew is left in the tails of the public when a montage of young people do not cove in consumption patterns, which does not express certain academic or journalistic criticism when terrified to see such and such a creative adventure, that has not been said in the barracks institutional management on a given state group when a file simply decide whether they support or not to receive the coveted "gift" to grant or not to have heard of some managers room when one of these groups simply shows his intent offer your product to the "prestige of theater." It is quite possible that the formulas of experimental theater is in some way or another tempting to members of this or that group of young theater. Also is fairly verifiable over a fear of not having the bellows of strict prefer comedies, children's theater, or some drama (contemporary national or foreign) to guarantee the consumer a certain temptation when you decide what time to go a weekend at the theater. Think where we confront a segment of these groups and realizing that they are not large rooms. His reality is constrained most of the time places like the Theatre Laboratory teatrino of "Anna Julia Rojas" where Carmen Jiménez was able to open its doors to many youth groups, is sometimes the room Experimental Workshop Theatre (ETT) Chambers of Teatro San Martín de Caracas , the Experimental Room Celarg , once in a while, the Chamber Rajatabla and hence the cost is hard for these groups. I delimit a distinct difference: it is the same theater theater young people doing the amateur theater. The latter by (Gómez García, 1997: 806) defines it as "Any activity not performed by professional theater." I also support the definition of University Theatre settled in Akal Dictionary of Theater Terms to distinguish it from billing the University Theatre Gomez-Garcia that he describes as "made in area of \u200b\u200bthe University" (1997: 816). But here let us pause a moment, what happens when a group has been formed by university students formed a production that is exhibited in academic areas but that goes beyond what we know the commercial space? How can you understand that a group of young artists from clumping together coherently and displayed in an academic when some of its members is still a member of this house of studies but has been formed earlier in the framework of other studies center acting ? How do you perceive is actually a young drama group / youth if a part of their staff is conformed by one or more creatives (director, designer, producer or playwright) already in the professional field and has received recognition, awards, and media monitoring and criticism? A theater of young people can be categorized as "independent theater? Is "avant-garde theater, What happens when that group has no office or legal but it is circulating in samples, meetings and festivals alongside groups certainly professional? García Gómez determined Professional Theatre is one that "is performed by professional actors. / The performed by professional companies. / The high artistic quality " (1997: 814). But in this situation in Venezuela Where begins and ends the concept of the professional? Who defines theater young people? Is the quality and trajectory? Do palm obtained, successes? Why insulinised everything we see and perceive as theater? This would give a walk to discuss whether the theater of the younger generation can and should be the renewal of theatrical future of the country. Some time ago when there was (mid-eighties / part of the nineties) the power of the National Youth Theatre Venezuela a retired critical as ever thought that this project insuflaría renewal; placed the rip of "rest in peace" and went on to continue idolizing consecrated to the gods to turn the quiet golden conceptual and theoretical discourse fineness of marble monuments where he established what was once described as "syndrome of mutual indulgence, "that is, they support / support and so I feel a part effective for recognition with them, to transcend. This criticism they detect in their dreams and explorations of a if possible!, And made quiet alliances or in parallel in the task to perceive / apprehend them as holding the bases on which built their searches, in parallel, this review will accompany with an intellectual work which built analytical scaffolding was true to what it was this artistic journey, over time, both (groups and individuals) grew professionally but maybe deep down, the fear of the generations that touched the door the rise of the stairs or was ignored lest once crossed the threshold of the recognition, they affect what was hegemonic theater moved to a theater, or simply because they understood that although competition was generating caucuses gave his hand gives around and back to others. Finally, only those who expected signs of Gorgon's gaze not petrify the theater made by young people and thus I wish to express an emphatic no to the ominous chant of grant dependency, not a lack of rigor and optimization - artistic technique, a not for complacency when the deafening demand digestive theater / commercial demand them to the theater of art is not essential but which to cheer and to continue their support at the box office is the "commercial, a definite no to self-sufficiency, no to the absence of a prudent but not to the absence of translatable serious commitments to projects that can draft aside the garb of amateurism, the university and foster the experimentation (if that's what attracts them or be independent), a non-conformity to the do to just get an extra economic here and there, in short, can be a lot not, but from time to time some of these have not been converted - and this can verify certain realities group by name) for promotion and recognition. Perhaps the sense (somewhat dislocated that says that "the end justifies the means" seems to agree with him when he is gold easy and difficult lead. And youth theater groups are the alliance towards a future that can bear fruit if know to understand the mystique, passion, study, perseverance, permanent work, experimental and transdisciplinary play it may be just some of the aspects that a child between 16 and 25 can build on that wonderful land that the theatrical arts in this century Venezuela XXI. By: Carlos E. October 2010
Herrera 
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