Sometimes the popular advice says that "it is good to be crafty in life." Loaded with a whiff concept where the most rapid subjective that comes to mind is something that is the product of a person with habits and distorted within the canon of accepted behavior for a group where the standards and good practice between those who act according to pre-established and accepted patterns of living of those who, by reason or other, they use personal tricks derived from their particular expertise to tackle / solve anything. Even if we review the meanings offered by the DRAE, we quickly see us back to the drawing vulgar expression "mania" or a common skills "apart, tells us:" skill "," ability ", which applied to a person tells us" cunning "or, as the downside of the term" vice or bad habit "that is, a relic." A final, aims to clarify that the "manner or way of doing something." One of the many popular sayings brother country tells us that: "Silver is an oil that any screw loose." Curious, no? As it must be any number of them to lead us to believe that human being appropriates his experience (school, media or academic) to resolve any output to an existential problem or everyday, and even exceptional, for when things has already been learned from the social context of what anyone has told you. Better therefore take their tricks when going to the theater, to seek the most economical purchase, to uncover a bottle or even to get a date. Social life makes a person acquires tinged tricks positive or negative marks but with the passing of its existence, that good / bad habits will give you another level of learning that will facilitate its existence. This is perhaps one of many possible angles or which appealed to the playwright, actor and director Argentine Damian Dreizik (author of titles such as "nurse, Samuel "(1997)," deny machine bulls "or the sole proprietorship," Greenland "(" 2010?) For through humor and poking some arguments and issues that are familiar to the viewer, to compose a short piece under the formula of one-man entitled "The skill ." Since, his story is not much: a man who has been shipwrecked on a forgotten island unforgiving of a few meters where only the sand, stone, insistent waves makes the passage of time become the obsessive clock only lets you to calculate the passage of sunlight to seek not unhinged. With only a few objects have (a metro ticket, a Barajitas of a famous football player and a ticket) will fall into the despair that is the trigger that can not survive without guile, without something called the skill to invent something that will kick this predicament. But "The skill " of Dreizik is not the original piece that is stated in the room spaces José Ignacio Cabrujas of Chacao Foundation in Los Palos Grandes, but the amendments made to the version of the same name assumed by Manuel Trotta (actor) who along with his address Jesus Delgado took up the challenge of becoming next others (as) playwrights in production ( Olmedi Alvino and Francis Bastidas -production field-) and performing ( Daniel Garcia - clothing and makeup, as far as) to make known to Theatre Group Caracas emerging as one of the groups pushing the door of the professional building on the "cool" that the planners and those spaces, Ivan Oropeza who bet strongly that not only offer space for novice groups but from there becomes a platform to promote artists, and artists in other areas have no place. As is well that the subject of the shipwreck is not new in the local scene since, until recently, another group took in emerging spaces UNEARTE one of the works of Gerardo Blanco where other plot twists ( The argument ), clings to explore when an unexpected obstacle or tragedy can upset the perspective of a being known outer limits caught and many times, external. "The skill " the could both as an excuse to talk about that "man [apparently required or] need limits," hit the target or subject of loneliness and distress. It's that circle light where the direction of Delgado puts the Trotta performance as an actor / character surrounded by a large black plastic (the sea) and with only the rock and bringing in a play of light to create changes in weather and atmosphere inside the characters that be translated into something verifiable both its mood swings as hopelessness is projected force of credibility to the reception of the viewer and the character discovers that the same lack of skill, those little things that all children taking of life and not which is given as instructions to be an autonomous being were not necessarily learned in the journey from high school or formal education that is more than intellectual knowledge / moral but simply part of the personal tricks that each of us should have to exit gracefully from any condition, even where the survival limits demand that even more cunning and intuitive insight can be as skillful a type species such medially Guiver a Mac with Don or three "mariqueras" (excuse me using the term) give practical solutions to matters of greater importance. Adaptation appeals to our own, to things recognizable Venezuelan benchmark to coordinate day to day socio-cultural context and even advertising in this country so that the viewer's reception sync with what happens to that being alone. From that point everything works. Histrionic performance displayed by Manuel Trotta efficiency sometimes gets what is inside, but sometimes becomes blurred when the appeal of the gesture or physical actions appear to be aware of breathing practice, impost voice, use of shades, more organic subtleties that would thicken the composition of the character. Does a good job (I should add that I noted them addressed the role of the press on Thursday, March 17) and not during a season where neither the photos nor the phones or cameras or a technical stumbling block in the cabin could have affected their concentration. But, we are called to that region and those conditions and you get the result of which, now says. I feel that the work of the management team Delgado / action, be refined Trotta is strengthened further if more introvert more the character of his state of mind and not only justify a plant of movements over time was seen something anarchic and sometimes a little retuning. Is that this young group is looking for space and style stage (which will be delimited with the passage of time) but for now, what was still lacking density and weight to create that word of mouth to start position them in what we call the "indirect advertising" that causes some heating assemblies and others, gone unnoticed. I think it's necessary. Like any group that wants to be seen and confronted the group Caracas Emerging Theatre deserves a critical public to support him to continue to grow and venture into the difficult path to be referenced in the theatrical activities of the decade.
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